CHRISTOPHER ROBIN:
EVEN IN
LIVE-ACTION/CGI FORM, WINNIE THE POOH WORKS HIS CHILDHOOD MAGIC!
By Nico
Beland
Movie
Review: *** out of 4
DISNEY
Ewan
McGregor, Winnie the Pooh, Piglet, Tigger, and Eeyore in Disney’s Christopher Robin
Everyone’s favorite silly-old bear
returns to the big-screen in Christopher
Robin, Disney’s latest
live-action re-imagining of a beloved animated classic. Not be confused with
the biopic that came out last year about Winnie
the Pooh author, A.A. Milne and the real-life Christopher Robin, Goodbye Christopher Robin, coincidence
much?
Anyway, what can I say about Winnie the Pooh that hasn’t been said
already? He’s an animated icon who’s just as memorable as characters like
Mickey Mouse or Bugs Bunny, his adventures whether on paper or in animated form
warmed the hearts of children everywhere, and he even ventured into live-action
before with Welcome to Pooh Corner
and The Book of Pooh, so this isn’t
the first time the “Hunny” loving bear came to life.
When the movie was first announced,
I thought “Okay, Disney’s getting
desperate now, I can understand doing live-action remakes of films like Alice in Wonderland, The Jungle Book, or Beauty and the Beast, but Winnie
the Pooh? Come on, this can’t work, and the most recent animated release
from 2011 isn’t even that old!” and the trailers weren’t helping. Not that it
looked bad, I was actually onboard with the story, what if Christopher Robin
grew up? It was kind of like a Winnie the
Pooh version of the Steven Spielberg movie, Hook, but the CG animation on Pooh and the animals looked creepy
rather than cute.
Nevertheless, I was still interested
in seeing the film because Winnie the
Pooh played a huge part in my childhood as he did with several other kids,
and I knew I’d have plenty to talk about when reviewing it. So, I went to see
it and…it’s good, not the best thing Pooh offered (Boy that came out wrong),
but I found the movie to be quite enjoyable, it had an interesting premise, and
plenty of nostalgia, if they flat-out remade The Many Adventures of Winnie the Pooh, this probably would have
been an anger-filled review.
The film follows Christopher Robin
as he prepares to leave the Hundred Acre Wood and off to boarding school, his
friends Winnie the Pooh (voiced by Jim Cummings-Chip & Dale’s Recue Rangers, Darkwing Duck, The Powerpuff
Girls), Piglet (voiced by Nick Mohammed-The
King is Dead, Drifters, The Job Lot), Tigger (also voiced by
Cummings), Rabbit (voiced by Peter Capaldi-Bean,
Doctor Who, Paddington 1 and 2), Eeyore (voiced by Brad Garrett-Finding Nemo, Night at the Museum, Tangled),
Kanga (voiced by Sophie Okonedo-Hotel
Rwanda, Martian Child, The Secret Life of Bees), Roo (voiced by
newcomer, Sara Sheen), and Owl (voiced by Toby Jones-Captain America: The First Avenger, The Adventures of Tintin, Jurassic
World: Fallen Kingdom) throw him a going-away party. Christopher tells Pooh
that he will never forget him, not even when he’s 100 and that he’ll always be
with him even when he’s not there.
Flash-forward to Christopher Robin
(Ewan McGregor-Star Wars prequel
trilogy, Big Fish, Robots) as an adult working at a luggage
company in London who was once an imaginative little boy has now been reduced
to an average businessman trying to get by in cold, gloomy, reality. Life’s not
all bad for Christopher as he got married to a lovely young woman named Evelyn
(Hayley Atwell-Marvel Cinematic Universe,
Agent Carter, Cinderella (2015)) and have a daughter named Madeline (Newcomer,
Bronte Carmichael) who give him their full support.
One day, he is visited by Pooh, who
informs him that all of his friends have gone missing and asks Christopher to
help him find them. Christopher does the unexpected and abandons his work and
return to the Hundred Acre Wood with Pooh as he reunites with his long-lost
friends and possibly learn that the little boy he once was might still be
inside him.
The film also stars Mark Gatiss (Doctor Who, Sherlock, Game of Thrones)
as Giles Winslow Jr., Oliver Ford Davies (Sense
and Sensibility, Star Wars
prequel trilogy, Johnny English) as
Old Man Winslow, Adrian Scarborough (Gosford
Park, The King’s Speech, Les Miserables (2012)) as Hal
Gallsworthy, Roger Ashton-Griffiths (Young
Sherlock Holmes, Mr. Turner, The Lobster) as Ralph Butterworth, John
Dagleish (The Winter’s Tale, A Midsummer Night’s Dream, Justice League) as Matthew Leadbetter,
Paul Chahidi (Twelfth Night, The Death of Stalin, This Country) as Cecil Hungerford, and
Matt Berry (The IT Crowd, Snow White and the Huntsman, The SpongeBob Movie: Sponge Out of Water)
as Policeman Bobby.
Overall, Christopher Robin is a sweet and thoughtful nostalgia trip that isn’t
quite on par with A.A. Milne’s original stories or Disney’s countless animated film and television adaptations, but it’s
a solid follow-up that manages to take something like Winnie the Pooh, grow it
up, and succeed. Seriously, some of the film’s themes you probably wouldn’t
expect to come from a Winnie the Pooh
movie like family dilemmas, workplace stress, and they even cover a period
where Christopher Robin fought during World
War II that’s surprisingly pretty intense.
I remembered complaining about the
film’s PG rating at first, since when does Winnie
the Pooh require “Parental Guidance”? Now that I’ve seen it, the PG rating
makes a little more sense, it’s more dramatic and features some intense themes
compared to the previous Winnie the Pooh films and shows, but it never goes too
far with it, so parents should still be able to take their kids to it just
fine.
Even though I prefer the bright and
colorful animated Pooh world, the production design is both beautiful and bleak
at the same time. Specifically, in the Hundred Acre Wood which at first looks
gorgeous and lively and other times the colors get muted, almost looks like a
forest that belongs in Tim Burton’s Alice
in Wonderland movie, and that’s not exactly a bad thing.
Despite most of the animals having
different voice actors than the previous films and shows, I give Christopher Robin serious credit for
keeping Jim Cummings as the voice of Pooh and Tigger. His voice is permanently
hammered into my brain and I wouldn’t have it any other way, even as a CGI bear
and tiger in a live-action environment, Cummings breathes life into these
characters every time.
This isn’t a perfect movie, there
are some problems that don’t exactly ruin the film but are noticeable. I didn’t
really complain about the characters’ designs when watching the movie, but the
CG is still a little creepy, if they had the same animators who worked on
Paddington these animals probably would have looked better on-screen, also
Rabbit, Owl, Kanga, and Roo are kind of pushed to the side in the story which
was a little disappointing.
Really, those are my only nitpicks, Christopher Robin was familiar enough
and different enough to warrant a recommendation. It’s far from being on par
with the original 1977 Winnie the Pooh
movie or the 2011 film, but it’s a refreshing take on these classic characters
with a sweet story that should make for a satisfying night out with the family.
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