Friday, September 28, 2018

Smallfoot review

SMALLFOOT:
YETI-SIZED FUN FOR KIDS AND SERVICEABLE ENOUGH FOR ADULTS!
By Nico Beland
Movie Review: *** out of 4
WARNER BROS. PICTURES
There’s been a big “Myth-understanding” in Smallfoot

            From the studio behind The Lego Movie and Storks comes a yeti of family fun in the new animated film, Smallfoot. I didn’t really have any expectations when walking into this movie after seeing the trailers, it just seemed like a harmless kids’ movie with some colorful animation and decent slapstick.
            That was the mindset I had coming in and Smallfoot did not disappoint, it isn’t bad but nothing great either. The film has some good laughs and clever takes on the fish out of water story, but plot wise, it’s pretty familiar territory and relies on a lot of animated movie clichés.
            From the mostly unnecessary musical numbers to the inevitable misunderstanding, it’s a kids’ movie on the surface. But as it progresses the film gets better during the second half where it plays around with elements from other humans vs monsters movies that we’ve seen before, and making them feel new.
            The film is set in a world where yetis are real and live in a village high in the mountains, and follows a yeti named Migo (voiced by Channing Tatum-21/22 Jump Street, Magic Mike 1 and 2, The Lego Movie) who, after a plane crashes onto the mountain, learns about the existence of a mysterious creature known as the Smallfoot. Naturally, nobody else in the village believes him, so Migo sets off to prove that the Smallfoot exists in the form of wildlife documentary filmmaker, Percy Patterson (voiced by James Corden-The Late, Late Show with James Corden, Peter Rabbit, Teen Titans Go! To the Movies).
            It turns out Migo isn’t the only yeti that believes in the Smallfoot’s existence as he comes across the S.E.S. (Smallfoot Evidentiary Society), a group of yetis that have collected data and evidence on the Smallfoot for many years led by the free-spirited, Meechee (voiced by Zendaya-Shake it Up, Spider-Man: Homecoming, The Greatest Showman). Migo, Meechee, and the rest of the S.E.S., Gwangi (voiced by NBA superstar, LeBron James-The LeBrons, Trainwreck, Teen Titans Go!), Kolka (voiced by Gina Rodriguez-Deepwater Horizon, Ferdinand, Annihilation), and Flem (voiced by Ely Henry) begin their journey to the great unknown and prove the Smallfoot is real, along the way they might even discover some secrets about their village and species.
            The film also features the voices of rapper, Common (Smokin’ Aces, Terminator: Salvation, John Wick: Chapter 2) as the yeti tribe’s leader, Stonekeeper, Danny DeVito (Batman Returns, Hercules, It’s Always Sunny in Philadelphia) as Migo’s father, Dorgle, Yara Shahidi (Black-ish, Grown-ish, Trollhunters) as Brenda, Jimmy Tatro (22 Jump Street, American Vandal, Super Troopers 2) as Thorp, Patricia Heaton (Beethoven, Everybody Loves Raymond, The Middle) as Mama Bear, and Justin Roiland (Adventure Time, Gravity Falls, Rick and Morty) as Garry.
            Overall, Smallfoot is a perfectly decent animated movie, the kids will love the colorful animation, slapstick, and characters and the adults will admire the film’s second half and message about who the real monster is. It’s almost like Monsters, Inc. where the monsters are just as afraid of the humans as they are of them, which is funny because the yetis could easily squish or eat them.
            The film plays around with a lot of fish out of water clichés and one of the things I will praise off the bat with this movie is that the yetis and the Smallfoot cannot understand each other. Despite both of them speaking English, the yetis only hear gibberish when the human speaks and the yetis roar from the human’s perspective, so they have to start a bond without speaking, which I found both very funny and extremely clever, why couldn’t Natalie Portman and Kat Dennings speak gibberish in the first two Thor movies? But I digress.
            The animation is gorgeous, and I appreciate that it doesn’t try to look like a Disney or Pixar movie, the characters’ designs and movements still maintain the cartoony nature of Warner Bros.’ animation style, almost like you’re watching 3D Looney Tunes cartoons. Sure, it’s not quite as polished or detailed as Disney or Pixar’s animation, but Warner Bros. is able to create visually stunning animated movies with less materials compared to Disney like Batman: Mask of the Phantasm, The Iron Giant, and most recently, Storks, all of these films show what the studio is truly capable of.
            The plot is pretty standard and if you’ve seen plenty of animated movies before then you can pretty much catch on to what’s going to happen in the story. Got to have some songs and musical numbers to sell the soundtrack, throw in a butt joke for the little kids to laugh at (Surprisingly there’s not many jokes like that in the movie), and just for good measure add in a “Liar Revealed” or “Misunderstanding” cliché that everyone has already seen plenty of times in other movies and know a happy ending is coming.
            It isn’t one of Warner Bros.’ best animated films like Batman: Mask of the Phantasm, The Iron Giant, or The Lego Movie, in fact I’ll go on record and say it’s under Storks and that Teen Titans Go! To the Movies is a better movie than this. But it certainly isn’t like the many misfires they had in the 90s when they were competing with Disney like Space Jam, Quest for Camelot, and Osmosis Jones.
If you have kids that really want to see this movie, Smallfoot is a fine movie for a family outing, granted adults probably won’t be grabbed by the movie right away, but give it some time. Don’t expect anything great but don’t expect a waste of time either, Smallfoot has just enough laughs and charm to appeal to both kids and adults.

            

Friday, September 21, 2018

The House with a Clock in Its Walls review

THE HOUSE WITH A CLOCK IN ITS WALLS:
JACK BLACK CREATES SOME MAGIC AND CREEPY FAMILY FUN!
By Nico Beland
Movie Review: *** out of 4
UNIVERSAL PICTURES
This house knows what makes you “Tick” in The House with a Clock in Its Walls

            Director, Eli Roth (Cabin Fever (2002), Hostel, The Green Inferno) takes a break from the over-the-top blood-fests he’s best known for and steps into dark fantasy territory with The House with a Clock in Its Walls, based on the novel of the same name by John Bellairs. The film is produced under Steven Spielberg’s production company, Amblin Entertainment and stars Jack Black (School of Rock, Kung Fu Panda trilogy, Jumanji: Welcome to the Jungle) as a sorcerer who lives in a mysterious old house.
            I’m sure a lot of people were scratching their heads when Roth was announced to direct this movie. How can a filmmaker that’s usually known for extremely violent movies tackle something more family-friendly? Well, if Robert Rodriguez can make a successful transition with Spy Kids, I don’t see why Eli Roth can’t make a movie aimed for children and families.
            So, how does Eli Roth’s first venture into family entertainment hold up? Honestly, I had a fun time with this movie. The best I can describe it is a mix of Harry Potter, Monster House, and Goosebumps, which is funny because Jack Black also starred in that movie and the trailer for the sequel was shown before the film.
            I’ve never read the book but as a moviegoer, it’s an entertaining thrill ride for all ages, and while it doesn’t really do anything new with the comedy-horror or fantasy genres, it has just enough imagination, laughs, and creeps to admire. Sure, it relies on a lot of family movie tropes and clichés and not every joke gets a laugh, but the flaws are almost always made up for with jokes that work and a few twists and surprises.
            The film is set in 1955 and follows a young boy named Lewis Barnavelt (Owen Vaccaro-Daddy’s Home 1 and 2) who, after the death of his parents, travels to New Zebedee, Michigan to live with his uncle, Jonathan (Black) in a creaky old house with a mysterious ticking heart. There he learns that Jonathan is actually a warlock and possesses magic powers.
            Jonathan and superior witch neighbor and friend, Florence Zimmerman (Cate Blanchett-How to Train Your Dragon 2, Cinderella (2015), Thor: Ragnarok) teach Lewis how to become a warlock and he seems to be getting the hang of it. But when Lewis accidentally brings an old enemy of Jonathan and Florence back to life, the evil warlock and original owner of the house named Isaac Izard (Kyle MacLachlan-Dune, The Doors, The Flintstones), Lewis, with the help of Jonathan and Florence, must use all his courage to prevent Isaac from activating a Doomsday clock that will end all of humanity.
            The film also stars Renée Elise Goldsberry (One Life to Live, The Good Wife, Sisters) as Selena Izard, Sunny Suljic (1915, The Killing of a Sacred Deer, Mid90s) as Tarby Corrigan, Colleen Camp (Apocalypse Now, Smokey and the Bandit: Part 3, Police Academy 2 and 4) as Mrs. Hanchett, and Lorenza Izzo (Aftershock, The Green Inferno, Knock, Knock) as Mrs. Barnavelt.
            Overall, The House with a Clock in Its Walls is a spooky fun time to be had and a refreshing change of pace in Eli Roth’s filmography. If you’ve seen the trailers and marketing for the movie, did Eli Roth come to mind? It looks more like something Steven Spielberg or Joe Dante would direct, and I get the feeling he was influenced by Dante’s work, particularly Gremlins when making this movie.
            Seeing Jack Black and Cate Blanchett being attacked by menacing yet humorous creatures is quite reminiscent to the Gremlins but unlike that movie it probably won’t result in parental complaints. The film manages to balance frights and humor quite nicely and they never go overboard with them.
            Jack Black is a joy to watch in this movie even if his appearance and attitude don’t quite match the time period. He’s funny, has surprisingly amazing chemistry with Cate Blanchett, and keeps you invested even when things start going bump in the night, almost like a more down to Earth version of his R.L. Stine performance from Goosebumps.
            I’m serious, Jack Black and Cate Blanchett’s on-screen chemistry works better than I was expecting. They share a friendly rivalry, though they do care about each other a lot, and throw playful insults and names at each other and there are times where you see them trying to not crack up at what they’re calling each other, apparently one half of Tenacious D and Hela from Thor: Ragnarok make quite a team.
The production design is impressive and balances between eerie and whimsical, the house looks like a creepy old mansion on the outside, but on the inside there’s a living and walking chair that surprisingly has a lot of personality, stained glass art windows that are animated and can communicate with people, and a flying lion made out of a hedge. These are such imaginative and bizarre ideas that it’s hard not to admire the film’s creativity, reminds me a lot of Hogwarts.

             I don’t see myself watching this movie multiple times when it comes out on home media like the Harry Potter films, but as a first viewing, I had a lot of fun and just in time for Halloween. The House with a Clock in Its Walls is creepy fun for the entire family and hopefully Goosebumps 2: Haunted Halloween will be just as entertaining and funny as this film.

Sunday, September 16, 2018

A Simple Favor review

A SIMPLE FAVOR:
SEXY ANNA KENDRICK AND BLAKE LIVELY MYSTERY IS A POWERHOUSE!
By Nico Beland
Movie Review: *** ½ out of 4
LIONSGATE
Anna Kendrick and Blake Lively in A Simple Favor

            Director, Paul Feig (Bridesmaids, The Heat, Spy) shows his darker side with the new mystery thriller film, A Simple Favor, based on the novel of the same name by Darcey Bell. This is quite an unexpected film for Feig to work on, seeing how he’s usually known for comedies and more infamously the supposed “Death of the Ghostbusters franchise” but if want to hear my thoughts on that then go back to my review of the 2016 Ghostbusters movie.
            Nevertheless, I was interested by the film’s marketing which made it perfectly clear it was “From the Darker Side of Paul Feig” and looked very reminiscent of the 2014 David Fincher film, Gone Girl and 2016’s The Girl on the Train. I guess women disappearing for unknown reasons make for some great literature and films.
            So, how does A Simple Favor hold up? Honestly, I think it’s better than most of Feig’s other work. Granted I’ve never read the book, but this movie had me hooked from start to finish, the movie perfectly balances a mystery-thriller, a story about parenthood, and a black comedy together, and the on-screen chemistry of Anna Kendrick (Scott Pilgrim VS the World, 50/50, Pitch Perfect trilogy) and Blake Lively (The Sisterhood of the Traveling Pants, Gossip Girl, The Shallows) is unlike anything I’ve seen from them before.
            The film follows Stephanie Smothers (Kendrick), a single mother and vlogger who becomes acquainted with a mysterious woman named Emily Nelson (Lively), one day after picking her son up from school. The two of them become best friends as well as their sons and everything seems perfect.
            That is until Emily suddenly disappears without a trace and nobody seems to know what happened to her. Stephanie and Emily’s husband, Sean (Henry Golding-The 8TV Quickie, The Travel Show, Crazy Rich Asians) try to solve the mystery behind her disappearance but only dig deeper into trouble as they discover the truth behind Emily.
            The film also stars Andrew Rannells (Yu-Gi-Oh, Sonic X, The Intern) as Darren, Linda Cardellini (Scooby-Doo, Freaks and Geeks, Gravity Falls) as Diana Hyland, Rupert Friend (Pride and Prejudice, The Boy in the Striped Pajamas, The Young Victoria) as Dennis Nylon, Jean Smart (Frasier, Kim Possible, Legion) as Margaret McLanden, Eric Johnson (Flash Gordon, Smallville, Fifty Shades trilogy) as Davis, Glenda Braganza (10.5: Apocalypse, Men with Brooms, Saving Hope) as Kerry Glenda, Kelly McCormick (11.22.63, Damien, The Expanse) as Stacy, Aparna Nancherla (Inside Amy Schumer, BoJack Horseman, Steven Universe) as Sona, Dustin Milligan (90210, Schitt’s Creek, Extract) as Chris, Sarah Baker (Louie, The Campaign, Mascots) as Maryanne Chelkowsky, and Bashir Salahuddin (Late Night with Jimmy Fallon, Gringo, Top Gun: Maverick) as Detective Summerville.
            Overall, A Simple Favor is as stylish as it is deep and interesting with powerhouse performances by Anna Kendrick and Blake Lively to boot. The concept is fascinating and actually quite frightening, your best friend goes missing and you end up knowing everything and nothing about the person at the same time, if you ask me that premise alone is scarier than ANYTHING in The Nun.
            But knowing Paul Feig he does squeeze some comedy in there as well through witty dialogue and at times comedic editing. There’s even a recurring joke involving a saying similar to motherf*cker that I would pay $4 million just to hear Samuel L. Jackson say it, those of you who have read the book or seen the movie understood both references made there.
            As mentioned before, the performances by Kendrick and Lively are incredible, and some of the best acting I’ve seen from either of them. They give it their all and I believe every moment when they’re on-screen, Blake in particular nails the woman hiding a secret character perfectly and you’re never sure what to make of her.
            I had a great time watching this film and was invested in the story all the way through, but I won’t lie it was a little predictable at times. It doesn’t ruin the movie in any way, but I was able to catch on to what was going to happen by the end probably because Rosamund Pike did something very similar in Gone Girl, however that’s a really minor nitpick.
            If you’re a fan of Paul Feig, Anna Kendrick, and/or Blake Lively or want to see something a little different from the director, then A Simple Favor is definitely up your alley. It’s certainly better than watching a biology teacher training a Predator dog and making a franchise jump the shark, still haven’t gotten over that one.