BEAUTY AND THE BEAST:
HAS NOTHING ON THE 1991
ORIGINAL, BUT THE ELEGANCE AND MAGIC OF ITS STORY SHINE THROUGH!
By Nico Beland
Movie Review:
*** out of 4
DISNEY
Tale
as old as time, song as old as rhyme, Beauty
and the Beast
After the major success of last
year’s Jungle Book and 2015’s Cinderella, Disney has now given us a live-action re-imagining of one of the
most beloved stories of all time, Beauty
and the Beast. Like many, I wasn’t entirely onboard for a remake of the
1991 animated film, not because it sounded bad or anything like that, but
nothing could top the original classic.
Disney’s
animated Beauty and the Beast is a
timeless classic, no matter what age or gender you are, admit it, you were
under the magical spell of that film. It was a huge hit in 1991 following the
success of The Little Mermaid in 1989, helped kick off the Disney Renaissance
with Aladdin the following year and
especially The Lion King in 1994, and
became the first animated feature to be nominated for Best Picture at the Academy
Awards.
How do you top that with
live-action? You don’t, but you do get a solid retelling of the story on its
own. That’s where the new Beauty and the
Beast film comes in, directed by Bill Condon (The Twilight Saga: Breaking Dawn: Parts 1 and 2, The Fifth Estate, Mr. Holmes) and starring cinema sweetheart, Emma Watson (Harry Potter franchise, The Perks of Being a Wallflower, Noah) as Belle.
Despite being played by the numbers
from the original for the most part, the movie is absolutely gorgeous to watch
from a visual perspective, lots of gold and sparkle everywhere (Debatably more
golden than Belle’s dress in the movie), and very reminiscent to the production
design from Kenneth Branagh’s Cinderella.
I saw the film in IMAX 3D and every
scene in the Beast’s castle feels huge and you almost forget you’re in a movie
theater, you can tell this is a film that’s made for IMAX.
Once upon a time, there was a young
prince who was spoiled and cruel to everyone, with absolutely no love in his
heart. One day a sorceress curses the prince and transforms him into a vicious
beast and gives him a magic rose that, if he does not find true love before the
last pedal falls, will turn him into a beast forever.
That’s where our heroine comes in, a
French village girl and bookworm named Belle (Watson) who is tired of her life
in the village and searches for something more. The other villagers question
her fascination for books and is constantly stalked by the narcissistic but
hunky town hero, Gaston (Luke Evans-Clash
of the Titans, The Hobbit
trilogy, Fast & Furious 6) who is
determined to marry her, with the aid of his dim-witted lackey, LeFou (Josh
Gad-Ice Age: Continental Drift, Frozen, The Angry Birds Movie).
Suddenly Belle’s father, Maurice (Kevin
Kline-A Fish Called Wanda, The Hunchback of Notre Dame, Ricki and the Flash) has been captured
and taken prisoner one night by the Beast (Dan Stevens-Downton Abbey, The Guest,
A Walk Among the Tombstones) and
comes to his rescue.
Belle urges the Beast to let her
father go and she’ll take his place, the Beast accepts and Belle spends the
rest of her days in his castle. In time the two of them get along and
eventually fall in love with each other, quite possibly their love will be
strong enough to break the spell.
The film also stars Ewan McGregor (Star Wars: Episodes I-III, Big Fish, Robots) as the voice of LumiƩre, Stanley Tucci (Julie & Julia, Captain America: The First Avenger, Transformers: Age of Extinction) as the voice of Maestro Cadenza,
Ian McKellen (X-Men franchise, The Lord of the Rings trilogy, The Hobbit trilogy) as Cogsworth, Emma
Thompson (Nanny McPhee, Brave, Saving Mr. Banks) as the voice of Mrs. Potts, Audra McDonald (Seven Servants, Rampart, Ricki and the Flash)
as Madame de Garderobe, Gugu Mbatha-Raw (Larry
Crowne, Belle, Miss Sloane) as Plumette, newcomer,
Nathan Mack as the voice of Chip, Adrian Schiller (The Hour We Knew Nothing Of Each Other, The Danish Girl, Suffragette)
as Monsieur D’Arque, Hattie Morahan (The
Bank Job, Mr. Holmes, Alice Through the Looking Glass) as
Agathe, Gerard Horan (Much Ado About
Nothing, Mary Shelley’s Frankenstein,
Doctor Who) as Monsieur Jean Potts,
and Henry Garrett (Atlantis, Zero Dark Thirty, Poldark) as The King.
Overall, Beauty and the Beast is a well-made re-imagining of the animated
classic, even if the story itself is by the numbers and doesn’t do much to
differentiate itself from the 1991 movie. The visuals, production design, and
performances for the most part are more than worth the price of admission.
Emma Watson’s no Paige O’Hara but
her portrayal of Belle is solid, she’s definitely beautiful and won me over
many times as an actress (Not just the Harry
Potter films). Granted her singing voice is very hit or miss, it shows that
Watson knows the story well, and she and the Beast have decent chemistry
together.
Dan Stevens portrays the Beast
decently, though he’s not as intimidating as the animated Beast, he plays the
part fine and the design of the Beast is pretty cool, even if it’s obviously
CG’d. I would have been more impressed if the Beast was made through makeup,
because you would actually have a Beast in front of the camera.
Luke Evans is a lot of fun as Gaston,
he’s charming, very funny, and when necessary threatening, I don’t think he’s
as enjoyable as Gaston from the animated film but that seems unfair. Josh Gad
gets some funny lines once in a while as LeFou, even if his performance feels
like a dim-witted rehash of Olaf from Frozen.
Song wise, not much to say, it’s the
exact same songs from the animated movie, literally right down to having Alan
Menken compose the film’s score. Be Our
Guest, Something There, and of
course Beauty and the Beast, all the
iconic songs are present here so I doubt no rage here.
If you enjoyed the 2015 Cinderella or last year’s Jungle Book, you should be satisfied
with Disney’s new Beauty and the Beast film. Don’t expect
it to top the original, but you can expect a magical experience.
No comments:
Post a Comment