SHIN GODZILLA (GODZILLA:
RESURGENCE):
A CHEESY BUT COMPLETELY SATISFYING
RETURN OF THE KING OF THE MONSTERS, AND AN ATOMIC BLAST OF CAMPY FUN AND
CLASSIC GODZILLA NOSTALGIA!
By Nico Beland
Movie Review:
*** ½ out of 4
TOHO
Godzilla
is back for more monster mayhem in Shin
Godzilla (Godzilla: Resurgence)
GOJIRA!
The
King of the Monsters is back to wreak more havoc in the 31st
film in the Godzilla franchise, the first
Godzilla movie from Japan since Godzilla: Final Wars in 2004, as well as
the first Godzilla film released in
American theaters since Godzilla 2000
(The 2014 American Godzilla movie
from Legendary Pictures doesn’t
count!). I remembered seeing Godzilla
2000 in theaters in the summer of 2000 when I was a little kid, and it was
certainly very different from all the other movies I was seeing at the time.
There wasn’t much CGI used in the
film aside from the alien monster that Godzilla was fighting, most of the
battle sequences consisted of Godzilla being a man in a rubber suit destroying
models and miniatures. It’s undeniably cheesy but it introduced me to other
ways to do special effects in film and how a movie can achieve so much with so
little, it’s undeniably charming.
Godzilla
2000 was the first Godzilla movie
I ever saw and I had a blast watching it, I was certainly looking forward to
seeing the next movie. Sadly 2000 and
Godzilla 1985 were the only Godzilla movies released in American
theaters, aside from two American adaptations, one that completely missed the
point of Godzilla, and the other paid
homage to the iconic monster while being an entertaining popcorn flick as well
as a box-office smash.
I enjoyed most of the Godzilla movies I’ve seen, but I’m not a
purist of Godzilla, I have not seen
every movie and I don’t really talk about Godzilla
that much compared to other movies. That’s why we got folks like James Rolfe,
the Angry Video Game Nerd to cover
the mythos of Godzilla, but I
digress.
History has pretty much repeated
itself, Japan made Godzilla 2000 in
response to the 1998 Roland Emmerich trainwreck from TriStar, you know what I’m talking about, the giant iguana named
Zilla, wide-eyed and annoying Matthew Broderick, and of course, there’s a lot
of fish, “God” I hate that “Zilla” movie. Now due to the 2014 Godzilla film released by Legendary Pictures that brought him back
into the spotlight, Toho decided to
yet again bring him back to Japanese pop culture, rubber suits, models, and
all.
That’s pretty much where Shin Godzilla comes in, or Godzilla: Resurgence as it’s called in
the United States. The film was given a limited theatrical release with its
original Japanese language and English subtitles. Really, I can sum up my
thoughts on this movie is a very simple phrase…it’s a Godzilla movie!
The film starts off as just a normal
day in Japan, nothing out of the ordinary yet, however when a strange fountain
of water starts erupting in the bay, it causes panic to spread around
government officials. At first they suspect it to be volcanic activity, but oh
no, there’s something bigger happening in Japan, much, MUCH bigger.
Godzilla emerges from the deep and
runs a prehistoric muck, destroying buildings, vehicles, shooting his trademark
atomic breath at everything, and leaving nothing but destruction in his wake.
The government scrambles to save as many citizens as possible, while a team of
volunteers cuts through a web of red tape to find Godzilla’s weakness and its
mysterious link to a foreign superpower, but time is not on their side as a
massive catastrophe is about to evolve right before their eyes.
Overall, Shin Godzilla is a satisfying return to classic Godzilla movie fare
that only Japan can deliver. The effects are obviously fake but the filmmakers
take full advantage of what they have, resulting in monstrous uses of practical
effects, unlike America, which is very CG savvy these days.
Don’t get me wrong, I thought the
2014 Legendary Pictures movie was a
solid Godzilla adaptation, but let’s
face it, it’s not a true Godzilla
movie. What makes a true Godzilla
movie? It just has to be made in Japan.
Godzilla’s design looked much better
in the 2014 movie compared to the one from the 1998 film, but let’s face it,
they’re both just 3D cartoons in a computer. What the Japanese do that I flat
out applaud them for is when they make a Godzilla
movie, they use practical effects, rubber suits, and models to deliver a unique
and exciting monster movie experience, and guess what, IT’S REALLY THERE ON THE
SCREEN!
It’s always refreshing to me
whenever I see real special effects instead of digital effects made in a computer,
or at the very least a good balance between practical and CGI, which is why I
praised movies like Star Wars: The Force
Awakens and Mad Max: Fury Road. There’s
so much more expression and creativity in the film’s effects, seeing a giant
Godzilla suit destroying little cars and monuments, to me is a lot more
engaging than watching a bunch of digital effects clashing with each other.
Shin
Godzilla, to me, is the perfect definition of a “Fan Service” movie, and it’s
strictly for the fans. I don’t think this movie would appeal much to the
mainstream movie-goers, these types of movies are an acquired taste.
The
effects and set-up are amazing through the eyes of people who understand what a
Godzilla movie is like, but a regular
moviegoer would probably get very confused, also it’s probably why the 1998 and
2014 Godzilla movies appealed more to
the mainstream, nevertheless, you a Godzilla
fan? You’re probably watching it now.
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