BEN-HUR:
ASIDE
FROM A FEW THRILLS AND AN ENJOYABLE MORGAN FREEMAN PERFORMANCE, THIS REMAKE
CRASHES AND BURNS IN THE COLOSSEUM!
By Nico Beland
Movie Review: ** out of 4
PARAMOUNT PICTURES AND MGM
Jack Huston as the Jewish prince who fought for
redemption and revenge in a chariot race, Ben-Hur
I can sum up my full
thoughts on Ben-Hur in five words, “Hotchie Motchie, It Stinks, Goodnight!”. The first time I ever opened a review up
with a quote by fictional film critic, Jay Sherman, but it’s totally called
for.
Director, Timur
Bekmambetov (Wanted, 9, Abraham
Lincoln: Vampire Hunter), best known for incorporating several slow motion
action sequences and unique visual styles in his films attempts to re-imagine
the classic story of Ben-Hur, the Jewish prince living in Roman-occupied
Jerusalem, who was wrongfully accused for treason by his brother and eventually
took him head on in a chariot race. The story of Ben-Hur was apparently so
popular that it spawned several different film adaptations, of course we’re all
aware of the 1959 Academy Award®
winning film directed by William Wyler and starred Charlton Heston as the
titular character, but believe it or not, that version was also a remake of a
1925 silent film, which again was a remake of another silent movie from 1907.
So this story’s been
told time after time before, but each variation of the story offered something
different and new with each telling of the tale. I was down to see a new take
on the Ben-Hur story, it’s been remade so many times before, so how could they
possibly turn it into a trainwreck? Well, replace the grand and massive
cinematography and editing with very choppy and distracting editing,
uninteresting characters, some hokey acting, and overly relying on CGI.
The 1959 film in my
opinion is a visual marvel, the effects were amazing at the time and everything
that was happening was really there, even some of the chariot race footage were
made by accident, and we were all blown away. Here, they basically turned it
into the same old biblical epic type of movie we’ve seen countless times
before, not to mention we already had Risen, another biblical epic movie
released earlier on this year, and the effects in this movie aren’t nearly as
incredible as the ones from the 1959 movie.
The film follows a
nobleman named Judah Ben-Hur (Jack Huston-American
Hustle, Hail, Caesar!, Pride + Prejudice + Zombies) living in Roman-occupied
Jerusalem with his wife, until he is falsely accused for treason by his
childhood friend and adoptive brother, Messala (Toby Kebbell-Control, The East, Dawn of the Planet
of the Apes). Ben-Hur survives years of slavery under the Romans, befriends
a wealthy Nubian sheik named Sheik Ilderim (Morgan Freeman-The Shawshank Redemption, Amistad,
The Dark Knight trilogy) who helps
him on his quest for revenge, and seeks vengeance against Messala in a grand
chariot race while being forever changed after several encounters with Jesus
Christ (Rodrigo Santoro-Charlie’s Angels:
Full Throttle, 300, The 33).
Overall, Ben-Hur is a waste of talent and a huge
step backwards for director, Timur Bekmambetov, who started off great with Wanted and even produced Shane Acker’s
film adaptation of 9 alongside Tim
Burton, and I hate to admit it but I find a lot of enjoyment and hilarity with Abraham Lincoln: Vampire Hunter. This
was probably the first time I felt tired watching a Timur Bekmambetov
production and that should never be the case, the man is known for his Slow-Mo
action sequences, wild visuals, and unique styles, unfortunately very little of
that is showcased in Ben-Hur and it
comes off as boring when the characters aren’t on a horse or a boat.
But with that said, some
of the action at times can be a lot of fun, I enjoyed the battle at sea on the
slave boats, and the race in general was exciting. It’s not even close to
surpassing the 1959 film but I was glad they attempted to do something
different with the action, despite none of it looking real.
And of course, Morgan Freeman
is a joy to watch in the film, even when he’s in a bad movie, he manages to put
effort in his performances. He isn’t one of my all-time favorite actors for
nothing after all.
Sadly, Freeman’s acting
can’t save the rest of the acting, a lot of the acting in the film is very
hokey at times, more specifically through the side characters, but Freeman,
Huston, and Kebbell’s performances are alright for the most part.
For a movie that had a
lot of potential at first and its source material being remade several times in
the past, this one felt very empty and pointless. As Sherman also said “If
it’s a remake of a classic, rent the classic!”, that is the case here, go
ahead and skip this but do check out any of the earlier adaptations of the
story, I can assure you any adaptation you pick will do much better justice
than this one.
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