EX-MACHINA:
A.I.
MEETS...GOOD!
By Nico Beland
Movie Review: **** out of 4
A24/UNIVERSAL
PICTURES
Artificial
Intelligence robot, Ava in Ex-Machina
Screenwriter, Alex Garland (28 Days Later, Sunshine, Dredd) makes his directional debut with
the latest sci-fi thriller about artificial intelligence, Ex-Machina. But don’t worry it’s nothing like the 2001 Steven
Spielberg movie, A.I . Artificial
Intelligence, it’s atmospheric, dramatic, and creepy all the way through,
and it focuses more on sci-fi ideas and exposition over big budget special
effects, so if you’re expecting a movie like I, Robot or Terminator
where machines take over the world with big explosions and gunfire, you’re not
going to find it here, I’d say wait for Terminator:
Genysis, but if you love sci-fi films that make you think, then listen
closely.
Set in the future, young but talented programmer for a
popular search engine, Bluebook, Caleb Smith (Domhnall Gleeson-Dredd, Harry Potter and the Deathly Hallows Parts 1 and 2, Star Wars: The Force Awakens) wins a
com petition to spend a week at a private mountain estate, home of the company’s
intelligent but reclusive CEO, Nathan Bateman (Oscar Issac-Drive, Inside Llewyn Davis,
A Most Violent Year). While there,
Nathan explains to Caleb a special project he’s working on, creating an
artificial intelligent robot named Ava (Alicia Vikander-A Royal Affair, Anna Karenina,
The Fifth Estate) and that Caleb was
chosen to be the human component of a Turing Test and charging with evaluating
her capabilities and consciousness.
In time Ava’s emotional intelligence proves to be more
sophisticated and deceptive than Caleb and Nathan could have imagined.
Overall, Ex-Machina
is a very thought-provoking and thoroughly suspenseful sci-fi thriller. Though
I wouldn’t exactly consider it a horror movie like Alien, but during its third act, things get really frightening.
Unlike most films these days in the sci-fi genre, Ex-Machina takes its time with the
suspense and drama, there’s no heavy orchestra score or electric guitars for
its music, it actually has a lot of silent moments that build atmosphere that
will certainly make you get the chills in yo ur seat, it’s actually quite
similar to the atmosphere from Duncan Jones’ 2009 sci-fi flick, Moon, not to mention it’s closer to
Stanley Kubrick style atmosphere than A.I.
Artificial Intelligence, which was mean t to be his last film before his
death.
Besides the atmosphere, the chemistry between Caleb and
Ava is pretty strong, throughout the film the two of them learn more about each
other and they spend a lot of time together and it leads up to a couple of
unexpected twists and turns during the film’s climax. Oscar Issac as a vulgar,
sex-referencing, inventor is perfect casting and easily one of his best performances alongside his roles in Inside
Llewyn Davis or A Most Violent Year.
If you’re a fan of sci-fi or films in the genre that are
heavy on thinking and ideas like Minority
Report, Moon, or Inception, chances are you’ll find
something to enjoy in Ex-Machina.
Even if you’re a horror fan, I can see you enjoying this flick, the entire film
plays like a horror or slasher and throughout the movie gets very disturbing
and creepy, but nothing extremely heavy like what the modern slasher flicks
normally do.
Don’t be fooled by its concept or trailer, Ex-Machina is nothing like A.I. Artificial Intelligence, it’s a
clever, fascinating, and chilling sci-fi thriller that's brilliantly brought to the screen, and hopefully
it will lead t o more directed films by Alex Garland.
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