Sunday, March 31, 2019

Dumbo review

DUMBO:
YOU WILL BELIEVE TIM BURTON CAN DIRECT A DECENT DISNEY REMAKE!
By Nico Beland
Movie Review: *** out of 4
DISNEY
The wonderous flying elephant makes his live-action debut in Dumbo

            Disney and director Tim Burton (Batman 1 and 2Edward ScissorhandsThe Nightmare Before Christmas) join forces once again with Dumbo, the latest of Disney’s live-action remakes of their classic animated films with Aladdin and The Lion King soon to follow later on this year and the second live-action Disney remake directed by Burton after 2010’s Alice in Wonderland. I’m a huge fan of Tim Burton’s early work and remembered being hyped for his take on Alice in Wonderland…and was very disappointed in the final product thus beginning a long slog of underwhelming films directed by the once imaginative filmmaker with Big Eyes and the animated film adaptation of his short Frankenweenie being the only exceptions.
            So, after failing to adapt a story that would have been perfect for him with Alice in Wonderland I had very low expectations when his version of Dumbo was announced. The original Disney animated film is a classic among both kids and adults with a simple but sweet story about a flying baby elephant in a circus, and one trippy sequence involving pink elephants. 
            I’ll admit despite watching a lot of Disney movies as a kid, Dumbo was one I didn’t watch that many times. Don’t get me wrong, it’s a good movie but it didn’t quite grab me as much as films like The Little MermaidBeauty and the Beast, or The Lion King.  
            I was skeptical about Burton’s adaptation but open to it since Disney’s live-action remakes have gotten much better lately with CinderellaThe Jungle Book, and Beauty and the Beast, so maybe it could work. Not to mention I was secretly excited for Dumbo (2019) for one reason alone, Tim Burton’s version of the pink elephant scene, I had to see what it looks like!
            Well, I can gladly say that the live-action Dumbo movie is…better than Alice in Wonderland (2010) and has a better understanding of its source material but undeniably flawed in certain areas. It doesn’t quite have the same magic as its animated predecessor, but the visuals and production design are impressive, Dumbo is just as cute and cuddly as his animated counterpart, and the story captures the original’s spirit without overcomplicating things or rehashing it word for word.
            The film takes place at the Medici Brothers’ Circus run by Max Medici (Danny DeVito-Batman ReturnsBig FishIt’s Always Sunny in Philadelphia) as equestrian performer and World War I veteran Holt Farrier (Colin Farrell-Minority ReportDaredevilFantastic Beasts and Where to Find Them) returns to the circus after the war. However, the circus has been going through financial difficulties forcing Medici to sell his horses, so Holt is reassigned as the caretaker for the circus’ pregnant elephant Jumbo. Jumbo gives birth to a newborn baby elephant with abnormally large ears but after an incident at the circus Jumbo is taken away and Dumbo is left in the care of Holt and his children Milly and Joe (Newcomers Nico Parker and Finley Hobbins). 
            When they discover Dumbo can fly the circus makes a huge comeback attracting the attention of entrepreneur, V.A. Vandevere (Michael Keaton-BeetlejuiceBatman 1 and 2Spider-Man: Homecoming; in his first collaboration with Burton since 1992's Batman Returns) who recruits Dumbo and the Medici troupe for his newest larger-than-life amusement park venue known as Dreamland. Dumbo becomes a sensation soaring alongside spectacular aerial artist Colette Marchant (Eva Green-Casino Royale300: Rise of an EmpireMiss Peregrine’s Home for Peculiar Children) but Holt learns that this cutting-edge theme park may be hiding dark secrets.
             The film also stars Alan Arkin (Edward ScissorhandsLittle Miss SunshineArgo) as J. Griffin Remington, Roshan Seth (GandhiIndiana Jones and the Temple of DoomStreet Fighter) as Pramesh Singh, DeObia Oparei (Pirates of the Caribbean: On Stranger TidesDredd (2012), Game of Thrones) as Rongo the Strongo, Joseph Gatt (ThorStar Trek Into DarknessGame of Thrones) as Neils Skellig, Sharon Rooney (My Mad Fat DiaryTwo Doors DownBrief Encounters) as Miss Atlantis, and boxing and professional wrestling announcer Michael Buffer as Baritone Bates. 
            Overall, Dumbo is a mostly faithful adaptation that hits all the key scenes from the original animated film with seemingly more laidback direction from Tim Burton and successfully avoiding the Alice in Wonderland (2010) trappings. The story is to the point and not once do they try to apply logic into Dumbo’s ears and being able to fly which still puzzles me as to why Burton would want to do that to Alice in Wonderland, the visuals and production design are stunning and do a solid job replicating the feel of the original movie, and the performances by the lead cast is absolutely spot on most notably Danny DeVito and Michael Keaton.
            Both are similar but very different from one another, DeVito as the lovable but grumpy ringmaster of the circus trying to deal with its financial issues and Keaton as the owner of a successful amusement park and entrepreneur corrupt with greed who wants to bank on Dumbo’s flight ability. The best way I can describe DeVito’s character is if his Always Sunny character Frank had a good heart, there were scenes of him yelling at the other circus performers and a particular moment where he was telling Rongo the Strongo that he is also the security and the way it was executed it almost felt like something his character from that show would do, but because the circus is struggling to stay open and what he’s going through you understand why he acts like this. 
            Keaton on the other hand is hamming it up every time he’s on-screen as the film’s antagonist and he’s legitimately very funny. From his wardrobe, appearance, and how he speaks to people to psychotic Bond villain level crazy during the final act, while watching the movie I described him as a hybrid of clichéd businessman antagonist, Dr. Strangelove, and a Bond villain. 
            However, there was a particular cameo that I wasn’t a big fan of…Michael Buffer as the announcer at the amusement park during Dumbo’s show. It felt so out of place and they even do a take on his trademark “Let’s get ready to rumble!” that almost made me want to throw my soda cup at the screen, it’s not Johnny Depp dancing in Alice in Wonderland bad, but it’s pretty cringe-worthy.
            Dumbo (2019) is a decent adaptation of the Disney animated classic that doesn’t quite live up to its predecessor or other recent live-action Disney films, but if you have a sense of wonder and imagination or just looking for a fun movie to watch with your family then this elephant might be for you…with no black crows required. 
BY THE WAY: The pink elephant scene...worth it! 

Friday, March 22, 2019

Us review

US:
JORDAN PEELE CONTINUES HIS DIRECTING CAREER WITH ONE HELL OF A CREEPY FLICK! 
By Nico Beland
Movie Review: *** ½ out of 4
UNIVERSAL PICTURES
A group of doppelgangers terrorize a small family in Us

            Jordan Peele (Key & PeeleGet OutBlacKkKlansman) who surprised critics and audiences everywhere with his 2017 directorial debut Get Out, returns to his darker side with the new horror film Us. Ever since I saw Get Out for the first time, I couldn’t wait for Jordan Peele to direct another scary flick with his unique blend of horror and humor as well as racial and social themes. 
            Peele reunites with Get Out producer Jason Blum (SplitHappy Death Day 1 and 2Glass) for Us and while I don’t think it stands quite as tall as Get Out, it’s still a very smart and effective creep show. I’d consider Get Out to be more like a horror-comedy in terms of how it’s presented, THIS on the other hand is the stuff of nightmares in all the right ways and takes a psychological thriller approach rather than a typical “BOO-Fest”. 
            It isn’t filled to the brim with annoying jump-scares or gory slasher violence, just a creepy atmosphere, disturbing imagery, a complex mystery, and a family constantly in peril. If being chased by a sadistic version of yourself who’s trying to kill you isn’t horrifying, I don’t know what is and Peele delivers on this gleefully bizarre and haunting premise.
             The film follows the Wilson family consisting of Adelaide (Lupita Nyong’o-12 Years a SlaveStar Wars sequel trilogy, Marvel Cinematic Universe), her husband Gabe (Winston Duke-Person of InterestModern FamilyMarvel Cinematic Universe), and their children Zora and Jason (Newcomers, Shahadi Wright and Evan Alex) spending a relaxing day at the beach in Santa Cruz. However, that night they notice a strange looking family standing outside their driveway. How strange? They look exactly like the Wilsons. 
            The arrival of these sadistic doppelgangers (all portrayed by the same actors) channels a traumatizing and unresolved moment from Adelaide’s past as this normal American family is pitted against these terrifying opponents and must fight for their survival. However, what looks to be a basic home invasion scenario is hiding something much more frightening under the surface.
            The film also stars Elizabeth Moss (Girl, InterruptedMad MenThe Handmaid’s Tale) as Kitty Tyler, Tim Heidecker (Tim and Eric Awesome Show, Great Job!BridesmaidsAnt-Man and the Wasp) as Josh Tyler, Yahya Abdul-Mateen II (The Get DownThe Greatest ShowmanAquaman) as Russell Thomas, Anna Diop (Everybody Hates Chris24: LegacyTitans) as Rayne Thomas, and Kara Hayward (Moonrise KingdomManchester by the SeaIsle of Dogs) as Nancy.
            Overall, Us is a mind-blowing experience and a solid film for Peele to follow Get Outup with. I’ll admit the film doesn’t really have the same balance of terror and comedy that Get Outhad but there are sparks of it in here.
            This is mostly a straight-up suspense ride with creepy figures roaming around, gruesome deaths involving scissors, and a lot of horrific imagery…some of which involving rabbits. Yeah, there’s no recurring joke about people being brainwashed into sex-slaves here, but the comedic side of Us does show its face from time to time. 
            You’ll have characters running and fighting off the doppelgangers in these horrifying situations, but they’ll take a moment to breathe and crack a joke about it…and they genuinely work. It isn’t like the family members are spewing catchphrases or one-liners after escaping the doppelgangers but instead a witty remark about the predicament they’re in that feels very natural and never out of place. 
            All the performances in Us are superb especially Lupita Nyong’o as both Adelaide and the doppelganger mother. One is a frightened mother with a tragic and mysterious past and the other is a sadistic, violent, and flat out terrifying version of herself who speaks like a person possessed by an evil spirit, you know those Exorcist or Conjuring movies? Yeah, she sounds like one of those characters, but she has to portray them both simultaneously and she completely exceeded my expectations, this is Lupita at her best and she deserves an Oscar.
            Even characters like the father and the kids who I thought would be incredibly annoying won me over. Nobody is treated like horror movie stereotypes and I was convinced that I was watching people trapped in a horrific situation which made me care about the family and wanted to see them get through it.
            Similar to my experience while watching Get Out, I was on the edge of my seat all the way through and had no idea where it was going with its bonkers premise. There was never a boring moment nor scenes that I would skip during re-watches. 
            A minor nitpick I had with the movie was the resolution, without giving anything away when it reached its final act and we see the shocking twist I felt it wasn’t fully explored and could have been made a little stronger. It doesn’t ruin the movie in any way but in terms of delivering a satisfyingly suspenseful payoff, I think Get Out did it better.
            Us is a very frightening and original horror flick and a solid follow-up to Get Out for director Jordan Peele that almost mirrors M. Night Shyamalan’s early success with The Sixth Sense and Unbreakable. With Peele’s trademark blend of suspense, wit, and timely themes he is following in the footsteps of Alfred Hitchcock, Stanley Kubrick, and Wes Craven as a new horror/thriller filmmaker legend with another effective thriller that will hopefully be talked about just as much as Get Out

Sunday, March 17, 2019

Emerald City Comic Con 2019 Recap



















































































































































































































DarkShadow (above) is owned by Justin Azevedo, find out more by visiting his blog