Coming Soon!
Moviewatchin' Psychopath!
Part critic, part film enthusiast, all psychotic!
Thursday, December 19, 2024
Sonic the Hedgehog 3 review
SONIC THE HEDGEHOG 3:
LIVE AND LEARN, THE BLUE DEVIL’S THIRD CINEMATIC OUTING IS HIS BEST YET!
By Nico Beland
Movie Review: **** out of 4
PARAMOUNT PICTURES AND SEGA
Sonic and Shadow in Sonic the Hedgehog 3
The Blue Blur and his friends are back and this time they’re up against 2 hammy Jim Carrey (The Mask, The Truman Show, How the Grinch Stole Christmas) performances and a mysterious black hedgehog in Sonic the Hedgehog 3, the third installment of the Sonic the Hedgehog film series based on the beloved Sega video game franchise of the same name. If you read my reviews for the previous movies (or any of my reviews for Sonic media), you should know that I am a huge fan of the Sonic franchise and have been one since I was a kid with Sonic Adventure 2 (The debut game of Shadow the Hedgehog) being the very first game I played.
So, I am very familiar with Shadow’s storyline and this isn’t the first time it was adapted outside of video games as there was already an arc in the 2003 anime series, Sonic X based on the plot of SA2 and the for the most part it’s a relatively faithful retelling of the story. I was excited for this movie ever since the mid-credits scene in Sonic the Hedgehog 2 where Shadow was teased for the next movie, speaking of which I should give my quick thoughts on the previous films before moving forward.
The first Sonic movie from 2020 I like fine though it wasn’t exactly the movie I would have wanted as a child as it felt more like a generic kids film in terms of its story and execution, but the charm of the character and Jim Carrey’s over-the-top performance as Dr. Robotnik made it an entertaining enough time. The second movie in 2022 I really enjoyed as it incorporated more elements and characters from the games like Tails and Knuckles, the Master Emerald, and Super Sonic, it felt like the Sonic movie I wanted to see as a kid.
However, where Sonic the Hedgehog 2 felt like the Sonic movie I would have wanted to see as a kid, Sonic the Hedgehog 3 actually IS that Sonic movie for me. I loved every minute of Sonic 3 and it’s not just because of nostalgia, as a movie this one is the best paced, the story is far more engaging than its predecessors, the comedy is really damn funny, and there are some genuinely strong character moments here.
Sometime after the events of Sonic 2 (and Knuckles), Shadow the Hedgehog (voiced by Keanu Reeves-Speed,The Matrix franchise, John Wick franchise) has been awakened from his 50-year sleep and escaped a top secret military base seeking vengeance upon the world. The government organization, G.U.N. enlists the help of Sonic the Hedgehog (voiced by Ben Schwartz-Parks and Recreation, The Walk, DuckTales (2017)), Miles “Tails” Prower (voiced by Colleen O’Shaughnessey-Digimon, Danny Phantom, Naruto; reprising her role from the games), and Knuckles the Echidna (voiced by Idris Elba-Marvel Cinematic Universe, The Jungle Book (2016), The Suicide Squad) to locate and stop Shadow.
But when they discover Shadow is too powerful to defeat, Team Sonic must form an unexpected alliance with their arch nemesis, Dr. Ivo Robotnik “Eggman” (Carrey) in order to save the world. However, during their team-up Eggman encounters a mysterious person from his past, his long-lost grandfather and scientific genius, Gerald Robotnik (Also played by Carrey) with a plan of his own.
The film also stars James Marsden (X-Men franchise, Enchanted 1 and 2, Anchorman 2: The Legend Continues) and Tika Sumpter (Get On Up, Southside with You, The Old Man and the Dog) reprising their roles as Team Sonic’s adoptive parents Tom and Maddie Wachowski, Krysten Ritter (Veronica Mars, Gilmore Girls, Breaking Bad) as Director Rockwell, Lee Majdoub (See No Evil 2, Dead Rising: Endgame, The Mountain Between Us) reprising his role as Robotnik’s lackey (and coffee maker) Agent Stone, and Alyla Browne (Three Thousand Years of Longing, True Spirit, Furiosa: A Mad Max Saga) as Gerald’s deceased granddaughter and Shadow’s only friend Maria Robotnik.
Overall, Sonic the Hedgehog 3 doesn’t just feel like another fun Sonic movie, it is a feature-length love letter to those who have followed this series of video games since childhood. There are so many references, callbacks, music cues, and characters quoting iconic dialogue from the games in this movie, I was smiling ear to ear during my viewing.
The first two Sonic movies are a lot of fun don’t get me wrong, but they weren’t exactly that great in terms of storytelling. That is not the case here as Sonic 3’s plot retains the deep emotional core and heavy edge of Shadow’s backstory from Sonic Adventure 2 and it can be gut-wrenching at times especially for a PG-rated family film.
The scenes involving Shadow’s past with Maria are very well-handled in the film and the backstory is even expanded upon by showing their lives together before her death. It was adapted perfectly to live-action cinema and it doesn’t feel like a drastic tone change compared to the rest of the film.
Keanu Reeves knocked it out of the park as the voice of Shadow and really captures the brooding, lone warrior antihero from the games while still being incredibly sympathetic and shares some great moments with Sonic over the course of the film. Not to mention the Shadow design looks great in live-action with the added details to his quills and seeing him in motion whether running or fighting Sonic and friends, this is also coming from the same person who gushed over seeing Super Sonic on the big screen in Sonic 2.
Jim Carrey is once again as gleefully cartoony as ever and now there’s two of him with Carrey putting his all into Eggman and Gerald and delivering the funniest moments. Seeing two Jim Carreys dancing together to avoid lasers and having a hilariously demented father/son montage is both really funny and actually kind of touching.
This movie also has the right amount of non-Eggman human characters, James Marsden and Tika Sumpter are still in a fair amount of the film, but they never hijack the movie for a random subplot or take the focus away from Sonic. All you wedding scene-hating Sonic 2 viewers can rest easy.
The action scenes are some of the best out of the three movies and Knuckles with some of my favorites being a glorious chase sequence in Tokyo between Sonic and Shadow on his motorcycle and one great big homage to Sonic Adventure 2 in the climax. It also has one of the funniest deaths I’ve seen all year.
Sonic the Hedgehog 3 works as a love letter to fan-favorite games in the series while also being an entertaining film on its own. This film took me back to being an 8-year-old boy in 2002 experiencing SA2 for the first time and after seeing the post-credits scenes, give me Sonic the Hedgehog 4 right now!
Thursday, December 12, 2024
Kraven the Hunter review
KRAVEN THE HUNTER:
DESPITE A BLOODY R RATING, THIS SPIDER-MAN SPIN-OFF FEELS MORE LIKE PREY THAN PREDATOR!
By Nico Beland
Movie Review: * ½ out of 4
COLUMBIA PICTURES AND MARVEL
Aaron Taylor-Johnson and The Rhino in Kraven the Hunter
Aaron Taylor-Johnson (Kick-Ass 1 and 2, Avengers: Age of Ultron, Bullet Train) returns to comic books and superheroes/villains in Kraven the Hunter, the latest film in Sony’s Spider-Man Universe consisting of movies based on Spider-Man characters that are separate from previous “Spider-Verses” and without the use of Spider-Man himself. The film is directed by J.C. Chandor (Margin Call, All is Lost, A Most Violent Year) and based on the Marvel Comics character of the same name.
This little experiment Sony has pulled in-between their collaborations with Disney/Marvel on the Tom Holland Spider-Man movies and their animated Spider-Verse films hasn’t exactly won over many audiences. The Venom movies starring Tom Hardy are technically the best regarded in Sony’s universe while Morbius and Madame Web are among the worst of the genre.
However, Kraven the Hunter did have something to set it apart from the rest of the Sony Spider-Man Universefilms when it was being made and that is it was going to have an R rating (The rest of the movies were rated PG-13) like the Deadpool movies and Logan. This was something I initially gave the first Venom movie a lot of flak for because I felt it was trying to be an R-rated movie that was watered-down to PG-13 to appeal to a general audience.
Despite that, the movie did not look good to me when I saw the trailer last year before it was delayed. It just looked like another bad Sony Spider-Man spin-off with the studio once again being clueless of what to do with the Spider-Man IP, now with blood, gore, and fuck.
I should also make this clear, I know very little about the Kraven the Hunter character as I’ve never read any of the Spider-Man comics featuring him. Most of my knowledge of Kraven came from the animated shows, Spider-Man: The New Animated Series (2003) and The Spectacular Spider-Man as well as the Spider-Man 2 video game for PlayStation 5.
I had low expectations with this movie given Sony’s track record with the previous films in this series, but I tried to be open to it. Maybe Kraven the Hunter can finally break the mold or at the very least be an enjoyable watch with alcohol in my system…no, not quite.
For the record, this movie is better than Morbius and Madame Web and there are times where it can be entertaining during the action. But it’s still another failed Spider-Man villain spin-off from Sony that misses the point of the character and wastes the potential it might have had; on top of that it’s remarkably dull.
The film follows Sergei Kravinoff (Johnson), a hunter whose complicated relationship with his estranged gangster father, Nikolai (Russell Crowe-Gladiator, A Beautiful Mind, The Nice Guys) starts him down a path of vengeance after a group of mercenaries led by The Rhino (Alessandro Nivola-Face/Off, Jurassic Park III, The Many Saints of Newark) kidnap his half-brother, Dimitri (Fred Hechinger-Eighth Grade, Thelma, Gladiator II). As he starts axing people off on his list in brutal ways, he begins his descent into the greatest and most-feared hunter in the world, Kraven the Hunter.
The film also stars Ariana DeBose (West Side Story (2021), Argylle, Love Hurts) as Calypso Ezili, Christopher Abbott (A Most Violent Year, First Man, Poor Things) as The Foreigner, and Yuri Kolokolnikov (Game of Thrones, The Americans, Tenet) as Seymon Chorney.
Overall, Kraven the Hunter may not be the worst of Sony’s Spider-Man Universe films and Aaron Taylor-Johnson honestly isn’t that bad in the movie. But it’s still a pretty lackluster comic book film that leaves no impression once it ends aside from a few satisfying gory kills.
I will give this movie a little credit that some of the action is fun to watch like a scene where Kraven is chasing a car full of bad guys that actually is pretty exhilarating and another sequence where mercenaries are being chopped, smashed, and sliced in the jungle by Kraven’s traps while looking for him. That’s already a step up from Madame Web, at least this movie has some memorable action scenes.
The action can be fun at times, but the CGI is horrendous with animals looking more like stuff you’d see in Jumanji rather than a violent, R-rated, comic book movie with no real weight to anything. This film’s version of The Rhino may be more comic accurate than Paul Giamatti from The Amazing Spider-Man 2, but it looks more like a poorly-animated Hulk with a rhino horn on his head and it doesn’t feel as satisfying to see Kraven fight him because he’s all CGI except when he’s human.
The movie also has this drab look in terms of cinematography that’s just not fun to watch for a long period of time. I know it’s supposed to be darker in tone compared to other Spider-Man films, but it ironically makes it more tedious than effective.
I don’t buy him as the infamous Spider-Man villain, but Aaron Taylor-Johnson is trying his hardest to make something out of this performance. I think he’s a very underrated actor and even when he’s in subpar material like this, I admire the fact that he gives his all and doesn’t phone it in, that dishonor goes to Ariana DeBose sadly.
I’ve seen DeBose give good performances before in other projects, but a lot of her line deliveries felt very stilted here and there’s even one moment where it sounds like she’s just reading a line off the script. I guess it’s still better than Dakota Johnson’s exposition dump from Madame Web.
In an age where Spider-Man: Into the Spider-Verse and Spider-Man: No Way Home are popular; it baffles me that Sony can be so creatively empty with their Spider-Man IP a lot of the time with films like this certainly not helping matters. I keep hearing this might be the last of Sony’s Spider-Man Universe and if that’s the case then hopefully, this will be a wake-up call for Sony to start taking their Spider-Man film rights more seriously.
Spider-Man is Sony’s most successful movie franchise so, wouldn’t it make sense for them to put as much thought and effort into it as they can? I really don’t care what universe it takes place in at the end of the day, just give me good Spider-Man movies and I’ll be happy.
Kraven the Hunter is the least bad of the non-Venom Sony Spider-Man spin-offs, but that is far from a recommendation. It’s neither hilariously bad nor insultingly bad enough to even take a gander at, it sits right up there with this year’s version of The Crow as one of the most unremarkable CBMs of the year.
The Lord of the Rings: The War of the Rohirrim review
THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM!
A DECENT ATTEMPT AT BRINGING ANIME INTO THE WORLD OF MIDDLE-EARTH!
By Nico Beland
Movie Review: *** out of 4
WARNER BROS. ANIMATION AND NEW LINE CINEMA
Princess Héra in The Lord of the Rings: The War of the Rohirrim
The world of J.R.R. Tolkien returns to the screen in The Lord of the Rings: The War of the Rohirrim, a new anime feature film in the Lord of the Rings series serving as a prequel to both the Lord of the Rings and Hobbit storylines. This wouldn’t be the first time Middle-Earth was brought to life in animation form as there were already animated film adaptations of The Lord of the Rings by Ralph Bakshi and The Hobbit and Return of the King by Rankin/Bass in the late-70s and early-80s which aren’t quite as remembered much as Peter Jackson’s glorious live-action trilogy from the 2000s, but they have their fans.
I really like Jackson’s Lord of the Rings trilogy though I’m not obsessed with it like a lot of other people are, but I’ve seen both theatrical and extended versions of the films many times throughout my life. I see them as incredible fantasy movies that are among the best of its genre with captivating stories, memorable characters, and amazing battle scenes and special effects; many of which still hold up today.
His Hobbit trilogy on the other hand is pretty inferior to the first trilogy, but they are still perfectly watchable movies with some impressive moments. Essentially like what the prequel trilogy was to Star Wars, but for Lord of the Rings and like that, I personally don’t have any super extreme reactions towards them, but I digress.
Now, we have this anime prequel film directed by Kenji Kamiyama (Akira, Kiki’s Delivery Service, Ghost in the Shell: Stand Alone Complex) and produced by the Lord of the Rings and Hobbit trilogies director himself, Peter Jackson (The Frighteners, King Kong (2005), District 9) which I was genuinely curious about when it was first announced. How has there not been an anime based on The Lord of the Rings, series or movie until now? Especially since the worlds Tolkien created in his original books and Jackson with the film trilogy and their storylines are perfect for Japanese animation and practically lend themselves to the art form.
Well, after seeing The Lord of the Rings: The War of the Rohirrim I can say it is an admirable effort at bringing the Lord of the Rings world to life in anime form, but it isn’t perfect.
The film is set over 100 years before Bilbo Baggins discovered the One Ring and follows Helm Hammerhand (voiced by Brian Cox-Braveheart, X2: X-Men United, Zodiac), a legendary and powerful king of Rohan who gets into a brutal scuffle against a rivaling lord that ultimately ends with the latter getting killed. Now, the son of the fallen Dunland lord named Wulf (voiced by Luke Pasqualino-Skins, The Musketeers, Our Girl) seeks revenge against Rohan with his childhood friend-turned-enemy and Helm’s rebellious daughter, Héra (voiced by Gaia Wise) standing in his way who will stop at nothing to protect her people and do what is right for her kingdom.
The film also features the voices of Miranda Otto (The Thin Red Line, Annabelle: Creation, Talk to Me) reprising her role as Éowyn who also narrates the movie, Lorraine Ashbourne (Child 44, Breathe, Blinded by the Light) as Olwyn, Shaun Dooley (EastEnders, Misfits, Saltburn) as Wulf’s father Freca, and archival voice recordings of the late, Christopher Lee reprising his role as Saruman.
Overall, The Lord of the Rings: The War of the Rohirrim is an interesting addition to the Lord of the Ringsfranchise that effectively expands upon the world of Middle-Earth even if it doesn’t quite have the epic scale or emotional weight of Jackson’s original trilogy. I should also make it clear that I am no expert in the Lord of the Ringsmythos or lore so my feelings towards this film may differ from a Tolkien aficionado.
As far as this movie goes, I think it does a decent job at giving more world-building beyond the Lord of the Rings and Hobbit films and exploring new stories within the movies’ universe. Kind of like what the Harry PotterFantastic Beasts films and Star Wars movies like Rogue One and Solo started to do, but stopped abruptly and I hope this won’t be the end of anime LOTR expansion movies.
Nothing will ever top Jackson’s original trilogy (I haven’t seen the Rings of Power series on Prime Video yet though I’ve heard it’s good), but if you’re going to continue the Middle-Earth storyline beyond the six movies, this is the way to do it I think. Prequels and side-stories set before or during the main quest that expand upon the established world even if I feel this film’s plot is pretty generic.
It’s a typical rivaling clans fighting each other in a war set-up with conflicts between two friends turned enemies that’s been done several times before especially in fantasy. I appreciate that the movie isn’t trying to go big like the Peter Jackson trilogy, but compared to the plots in those it does feel lesser and not as engrossing as the earlier films.
With the exceptions of Héra, Hammerhand, and Wulf, I also don’t think the characters are that memorable especially compared to the original trilogy or even the Hobbit trilogy. Most of the side characters just feel like cookie cutter versions of characters from previous Middle-Earth films and I wasn’t all that attached to them, maybe if this film was longer or better paced it would have given the characters more time to be more fleshed out and endearing.
I actually found myself getting invested in Héra and Wulf’s scenario and seeing the events that led them across their destined paths unfold. Héra’s character in this movie is often compared to Nausicaa and yeah, I can totally see it because of her desire to prove herself and the lengths she’ll go to protect her people.
I think Wulf is one of the most unique antagonists in the entire Lord of the Rings franchise as he’s not some power-hungry warlord or demonic eye that tries to cause destruction, his motives are actually very justified and you do sympathize with him at various points. He wants revenge on Rohan for the king killing his father in a brawl and sure, I don’t really agree with his methods for achieving his goal, but I understand why he’s doing it.
The animation is gorgeous and looks great on the big screen especially the backgrounds, the animators did a stellar job bringing Middle-Earth to life in anime form. There are a few moments where the animation is choppy during some battle scenes, but for the most part it looks spectacular.
The Lord of the Rings: The War of the Rohirrim is a lesser entry in the Lord of the Rings film series, but it’s a decent expansion to its universe with plenty of fan-service for the Tolkien enthusiasts. It may not be a grand quest, but hopefully it’ll be a starting point for future movies that expand upon the world of Middle-Earth and tell more stories beyond the One Ring.
Thursday, December 5, 2024
Y2K review
Y2K:
CHAOTIC ROBOT APOCALYPSE MOVIE FEELS LIKE SOMETHING FROM THE 90S AND 2000S; AND NOT IN A GOOD WAY!
By Nico Beland
Movie Review: ** out of 4
A24
Jaeden Martell, Rachel Zegler, and Julian Dennison in Y2K
The machines have taken over in Y2K, the new disaster horror-comedy film from A24 and the directorial debut of Kyle Mooney (Saturday Night Live, Brigsby Bear, Saturday Morning All Star Hits!). Mooney is probably better known for his acting roles in both film and television such as being the voice of Michelangelo in Batman VS Teenage Mutant Ninja Turtles and Murphy Brown Fünke in Arrested Development as well as being the co-creator of the series, Saturday Morning All Star Hits!. Now, he makes his first feature film directing effort produced by Jonah Hill (Superbad, 21/22 Jump Street, This is the End) and Christopher Storer (Eighth Grade, Ramy, The Bear) with a movie about a fictionalized version of the Year 2000 problem.
I thought the movie looked fun when I saw the trailer in front of Heretic, I’m a sucker for films with completely absurd premises that go for broke and have a lot of dark humor so, this seemed right up my alley. I can definitely say that there are elements of absurdity and dark comedy to be had which are the best parts of the film, the rest of the time however, it’s an obnoxious time capsule of the 90s.
The film is set in 1999 on New Year’s Eve and follows two social outcast friends, Eli (Jaeden Martell-St. Vincent, Midnight Special, It: Chapters 1 and 2) and Danny (Julian Dennison-Hunt for the Wilderpeople, Deadpool 2, Godzilla VS Kong) crashing a high school party in hopes to get laid especially Eli because his crush, Laura (Rachel Zegler-West Side Story (2021), The Hunger Games: The Ballad of Songbirds and Snakes, Snow White (2025)) is in attendance. But when the Y2K computer bug makes all technology come to life and turn against humanity, it turns into a fight for their lives and the safety of the human race…oh, and Fred Durst from Limp Bizkit makes an appearance.
The film also stars Daniel Zolghadri (Eighth Grade, Low Tide, Funny Pages) as CJ, Lachlan Watson (Nashville,Chilling Adventures of Sabrina, Chucky) as Ash, Eduardo Franco (Stranger Things, Booksmart, Gabby’s Dollhouse) as Farkas, Mooney himself as Garrett, Mason Gooding (Ballers, Love, Victor, Scream 5 and 6) as Jonas, Miles Robbins (Blockers, Halloween (2018), Daniel Isn’t Real) as Nugz, Alicia Silverstone (Clueless, Batman & Robin, The Killing of a Scared Deer) as Robin, and Tim Heidecker (Bridesmaids, Ant-Man and the Wasp, Us) as Howard.
Overall, Y2K has some fun moments and the effects on the robots made out of appliances and technology are quite impressive. Unfortunately, the film is bogged down by characters that range from unlikable to just downright annoying and cringe-worthy humor and references to the time it takes place in.
I’ll admit, part of me enjoyed the references to things like the Nintendo 64 and The Legend of Zelda: Ocarina of Time because I remembered them from my youth, but a lot of them felt extremely forced and not all that funny or clever. Also, missed opportunity to have a killer N64 in the movie, but the VCR that shot a bootleg tape of Varsity Bluesat a woman’s head and knocked her out got a chuckle.
However, when you have Rachel Zegler quoting the Will Smith “I make this look good!” line from Men in Black for literally no reason or Jaeden Martell and Julian Dennison are watching Arnold Schwarzenegger in Junior just because, it feels like the writers were too focused on cramming in as many 90s things as possible to the point where it just feels like really bad nostalgia-bating, I will say Limp Bizkit fit much better in this than when Jim Carrey referenced them in Sonic the Hedgehog 2.
It is also a movie that makes absolutely no sense, this is a film where a Tamagotchi somehow latches itself onto a drill and drills a hole in someone’s head so it’s best not to question any logic. Big surprise, the scenes where the machines are killing people are the best parts of the movie and they’re done in very creative and ridiculous ways like a blender grinding a man’s testicles and the already mentioned VCR and Tamagotchi, those moments are entertaining.
But why do creative deaths and robot designs matter when most of your characters are unlikable pricks despite being portrayed by some talented young actors. I get that it revolves around high school students so sophistication isn’t exactly one of their strong suits, but these characters are constantly making wise-ass remarks to each other, insults, references private areas (Because it’s funny, Huhuhuh!), and laughing and joking after witnessing a murder.
A24’s own, Bodies Bodies Bodies did something similar with its characters by having a bunch of snooty, privileged young people unintentionally axe each other off because of misunderstandings that occur. But that was done intentional as a social satire on Gen Z and class so, when you’re actually supposed to care about these obnoxious douchebags in a robot apocalypse, it doesn’t feel warranted and makes the stock characters from Freddy VS Jason look like Scorsese characters by comparison.
Despite some moments of enjoyment, Y2K is a misguided directorial debut for Kyle Mooney and so far, the worst film I’ve seen that has the A24 name on it. It’s a shame because I saw aspects of a fun movie here, but on top of the annoying stock characters and forced 90s references, it just makes you wish you were watching The Mitchells VS the Machines instead which is a way better movie about a robot apocalypse that’s actually smart and funny and takes full advantage of its premise.
I’d suggest deleting this virus of a film sooner rather than later.
Tuesday, December 3, 2024
Thursday, November 28, 2024
GAME REVIEW: Sonic x Shadow Generations review
GAME REVIEW: SONIC X SHADOW GENERATIONS:
SHADOW’S STELLAR EXPANSION TO 20TH ANNIVERSARY SONIC TITLE!
By Nico Beland
Game Review: A
SEGA/SONIC TEAM
Classic and Modern Sonic and Shadow the Hedgehog in Sonic x Shadow Generations
In 2011, Sega released the video game, Sonic Generations in celebration of the 20th Anniversary of the Sonic the Hedgehog franchise which ended up being one of the best games in the series. I even reviewed the original game for my high school newspaper back when it came out as it was largely responsible for me rediscovering my love for Sonic after a string of underwhelming or downright terrible entries.
When I initially reviewed it, I gave it a B+ mainly because of Sonic’s friends doing very little in the story and that I thought it lacked the character development of games like Sonic Adventure 1 and 2 and even Sonic Heroes. Looking back, that was kind of a minor issue and the game itself is still an incredible time 13 years later, it’s an A-Rank now.
Now, with the release of the Sonic the Hedgehog 3 movie right around the corner which will feature the character, Shadow the Hedgehog’s big screen debut, I thought it’d be an appropriate time to pay tribute to that newspaper review I did all those years ago with the new, Sonic x Shadow Generations. The game is actually 2 games in 1 with the first being a remaster of Sonic Generations with re-recorded cutscene dialogue and a higher frame rate while the second is an all-new campaign set in-between the events of Sonic Generations focused on Shadow titled Shadow Generations which is what I played for this review.
I already hailed the original Sonic Generations as one of Sonic’s best games, but Shadow Generations adds even more on top of an already fantastic game and his campaign alone makes it worth checking out even if you still have your OG game. It is significantly shorter than the base game, but Shadow Generations takes full advantage of what’s given to it and manages to be more story-driven than the original in its short amount of time.
The game follows Shadow the Hedgehog aboard the Space Colony ARK (Where he was created by Professor Gerald Robotnik in Sonic Adventure 2) investigating a report of unusual activity (Oh, and Rouge the Bat is at Sonic’s birthday party while this is happening). It turns out there is something on the ARK and it’s none other than Shadow’s alien second father and arch nemesis, Black Doom who survived his defeat at the end of Shadow the Hedgehog.
When he tries to pursue him, the Time Eater (from Sonic Generations) appears and warps Shadow to the realm of White Space (The white void where Sonic and friends are teleported to in Sonic Generations where time doesn’t exist) where a mysterious object known as the Black Moon hovers over it.
Shadow notices a few familiar faces including his Team Dark partner, E-123 Omega, Big the Cat, and Dr. Eggman’s robots, Orbot and Cubot in White Space. However, the most shocking to him is Shadow finds his seemingly alive creator and Eggman’s grandfather, Gerald Robotnik and Gerald’s granddaughter and his only friend aboard the ARK, Maria Robotnik before she and Gerald met their demise 50 years ago when Shadow was created.
Determined to find answers, Shadow speeds through his entire history (Stages from previous Sonic games likeRadical Highway from Sonic Adventure 2, Rail Canyon from Sonic Heroes, Kingdom Valley from Sonic ’06, etc.) while along the way discovering new powers and abilities courtesy of Black Doom’s influence. But Black Doom has other plans as he intends to use the newly powerful Shadow to possess him, gain his powers, and become unstoppable; and Shadow ain’t having that.
I didn’t spend much time on Sonic Generations as that part of the game is exactly the same except higher quality graphics, re-recorded dialogue during cutscenes as already mentioned (Some of the characters’ voice actors changed since the release of the original) that at times feels stilted, and now there’s Chao to collect in each stage (Kind of like in Sonic Advance 3). You’re still getting one of the best Sonic games of all time regardless even if I don’t think the cutscene dialogue is nearly as snappy as in the original.
Shadow Generations is the real meat and bones of this review and is essentially what Bowser’s Fury was to the remastered Super Mario 3D World where it expands upon the original game and gives more insight on the characters and plot. The plot is still pretty simple like Sonic Generations, Sonic/Shadow are sent to a dimension where there’s no time and have to go through previous events to figure out what’s happening, but Shadow’s story also involves him avoiding the returning Black Doom’s temptations and reuniting with Maria and Gerald before they were killed and hopes to change their fate.
There are some genuinely heartfelt moments in Shadow’s part of the game specifically when Maria and Gerald enter the picture. There’s a scene where Shadow is full of anger and revenge because of Black Doom and Maria knocks some sense into him by telling her that “Without light, there is only darkness and a shadow will help you find the light” (Hence why she named him Shadow) in a very touching moment and even the ending of Shadow Generations where he, Maria, and Gerald accept their eventual fate in order to save the fabric of time almost had me teary-eyed.
The game is also filled with references and callbacks to previous games, I was delighted when the Fake Chaos Emerald Tails made in Sonic Adventure 2 to foil Eggman’s plan was shown in the beginning and when Shadow encounters Sonic and says the “It’ll be a date to die for” line from Sonic Heroes. Even Shadow’s motorcycle from Shadow the Hedgehog makes an appearance in the game’s Collection Room that houses art, music, and movies you unlock during the game.
It’s also structured like Sonic Generations where you complete 3 Zones, 2 Acts per Zone, play Challenge Stages to unlock Boss Keys, and defeat Boss enemies including The Biolizard from Sonic Adventure 2, Metal Overlord from Sonic Heroes, and Mephiles the Dark from Sonic ’06. A lot of the Challenge Stages are a great way to test your reflexes, abilities, and reaching the Goal Ring under specific conditions like with only one Ring to protect you or destroy a certain amount of enemies in the time limit.
I appreciate the fact the game isn’t insane with its challenge when it tests your platforming skills and when you fail an obstacle or challenge it doesn’t make you want to rage quit, it makes you want to get better at it. I found it a mostly relaxed time though it did start kicking my butt in the later part of the game.
The gameplay is similar to Sonic Generations and other titles in the Sonic boost-era where much of it is about blazing at high speeds, but Shadow has his own unique moves to make him more than just a Sonic skin. For example, Shadow can shoot Chaos Spears to stun enemies and activate locks on gated off areas and when the Chaos Control meter is filled up, you can use it to slow down time and zip past obstacles with a Boost which is very satisfying to do; he can also Double Jump which Sonic can’t do in the original game by pressing the jump button twice and the attack button for the Homing Attack.
Shadow also has his new abilities from Black Doom that either enhance or transform him depending on what they do such as creating a giant manta ray known as the Doom Surf which allows him to travel across water and turning himself into a giant squid to get across sticky goop and swing across airborne orbs with the Doom Morph, and finally growing a pair of demon wings and gliding through the levels called…well, Doom Wings. These can take some time to get the hang of, but they can make for some fun ways to progress through the levels.
This is easily the best Shadow has controlled since Sonic Adventure 2 and if you ask me it’s way more refined here. Shadow isn’t as slippery as in other games even when boosting and his ground control is super responsive, he is just a joy to control here whether it’s speed or platforming, and any slipperiness or failing an obstacle felt like it was me simply being careless and not on the game itself.
Because his hub-world is in 3D unlike in Sonic Generations, it’s just as much fun to simply run through the world, test out Shadow’s abilities, and uncover special chests filled with hidden goodies you get when collecting emblems in a stage (Basically Shadow’s version of the Red Rings). Shadow’s journey is much shorter yet there’s so much more to do than in Sonic’s campaign.
I do have some issues though, while the Maria and Gerald moments are the emotional core of the game, they aren’t given much to do in the storyline. There needed to be more scenes or dialogue pieces with Shadow, Maria, and Gerald together to make it more effective, as is they’re very well-executed, but I felt they could have done more with them.
This game is also called Sonic x Shadow Generations and aside from the return of Black Doom and his army of Black Arms aliens, there is hardly any acknowledgement of Shadow the Hedgehog’s own game from 2005. It is not a good game don’t get me wrong, but because it is tied to Shadow’s story I think it would make more sense to have a level based off Westopolis (The first stage in the game) here and instead they went with 2 levels from games Shadow was either barely involved with or wasn’t even in at all (Sunset Heights from Sonic Forces and Chaos Island from Sonic Frontiers), I thought that was a serious missed opportunity.
I think I said all I can about the game in this behemoth of a review, Sonic x Shadow Generations is a spectacular entry in the Sonic franchise that adds more on top of an already great game. This truly is the Year of Shadow and rightfully so as I eagerly await his appearance in the third Sonic movie voiced by Keanu Reeves this Christmas.